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Paintings Indigenous Art: Authentic Handmade Indian Art

Buy Paintings Indigenous Art on Rooftop. Authentic handmade Indian art created by master folk artists. Shop original Indian handmade art online.

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Paintings
Indigenous Art 829 Folk Art 159 Tribal Art 657 Religious Art 40 Contemporary Indigenous 5
Untitled V
Certified

Tribal Art

Untitled V

A field of living forms unfolds across the surface, rendered in bold contour and filled with rhythmic patterning that gives each figure its inner vitality. Human, animal or vegetal motifs emerge with directness and clarity, their bodies defined by repeated dots, stripes or linear textures that transform surface into pulse. The composition feels open and frieze-like, with each element occupying its own clear space while remaining part of a shared narrative field. Colour is applied in confident, flat expanses—earthy reds, deep greens, luminous yellows or cool blues—heightening the immediacy of the imagery. There is little concern for illusionistic depth; instead, the painting asserts its presence through clarity of outline and density of mark. The negative ground is active rather than empty, sharpening the silhouettes and allowing the patterned interiors to vibrate against the open space. Working within the Baiga tradition of central India, Hema Baiga approaches painting as both memory and lived experience. In acrylic on canvas or paper, she carries forward a visual language rooted in community, ritual and environment, where storytelling and ornament are inseparable. Untitled V becomes an expression of this continuity—an artwork shaped by repetition, colour and the intimate knowledge of a world observed from within.

$ 1,459
Untitled - Tribal Lifestyle III
Certified

Tribal Art

Untitled - Tribal Lifestyle III

Figures move through the composition in a steady rhythm, each engaged in gestures that reflect the routines of everyday tribal life. Men and women appear walking together, carrying objects or pausing in quiet conversation, their bodies defined by bold contours and filled with compact linear patterns. The figures remain distinct yet interconnected, creating a visual sequence that mirrors the flow of communal activity. The composition unfolds horizontally in the narrative spirit of traditional Paitkar painting, allowing multiple moments of village life to appear within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that give the scene clarity and vibrancy. Patterned garments and repeating decorative motifs guide the viewer’s eye across the arrangement of figures. Working within the storytelling traditions of tribal and Paitkar folk art, Kishor Gayen translates everyday experiences into structured pictorial narratives. In acrylic on canvas or paper, he records gestures of movement, work and social interaction that define village life. Untitled - Tribal Lifestyle III becomes a reflection of shared identity and cultural continuity, where ordinary actions are preserved through colour, pattern and balanced composition.

$ 139
Paitkar Tribals I

Tribal Art

Paitkar Tribals I

A gathering of figures occupies the surface in calm alignment, each rendered with confident contour and filled with compact, rhythmic linework. The bodies stand upright and direct, their gestures simple yet expressive—hands lifted in conversation, movement or daily action. Patterned garments and repeated motifs animate the forms, transforming flat colour into textured surface. The composition unfolds horizontally, echoing the narrative structure of traditional Paitkar scroll painting. Rather than constructing depth through perspective, the scene is organised through clear placement and balanced spacing, allowing each figure to maintain distinct presence within the shared environment. Bright colours—deep reds, luminous yellows, cool blues and vibrant greens—lend energy to the surface while reinforcing the rhythm created by repeating patterns. Working within the Paitkar storytelling tradition, Kishor Gayen translates the lives and identities of tribal communities into structured visual narratives. In acrylic on canvas or paper, he documents gestures of work, interaction and belonging with clarity and warmth. Paitkar Tribals I becomes both representation and record, capturing the spirit of community life through colour, pattern and steady composition.

$ 199
Daily Rituals IX
Certified

Tribal Art

Daily Rituals IX

The painting unfolds as a sequence of quiet moments drawn from everyday life. Figures move through familiar actions—carrying water, preparing food, tending to animals or pausing in conversation—each rendered with clear contour and compact linear detailing. The gestures are simple but purposeful, forming a visual rhythm that captures the steady pace of daily routine. Arranged across the surface like a narrative procession, the figures share space without hierarchy, each moment contributing to a larger portrait of community life. Bright colours—reds, yellows, greens and blues—are applied in flat, luminous planes that give the scene immediacy and warmth. Patterned clothing and repeating decorative motifs establish a visual cadence that guides the eye across the composition. Working within the Paitkar and tribal storytelling tradition, Kishor Gayen transforms ordinary experiences into structured visual narratives. In acrylic on canvas or paper, he records the gestures and interactions that define everyday existence. Daily Rituals IX stands as a reflection of continuity and community, where daily actions become a collective story told through colour, pattern and measured composition.

$ 229
Daily Rituals III
Certified

Tribal Art

Daily Rituals III

A sequence of everyday actions unfolds across the surface, presenting the quiet rhythm of daily life within a tribal community. Figures appear in measured alignment, engaged in familiar gestures—carrying vessels, preparing food, tending to animals or gathering in conversation. Each body is outlined with confident contour and filled with fine linear detailing that gives texture and vitality to otherwise flat planes of colour. The composition stretches horizontally like a narrative scroll, allowing individual moments to coexist within a single visual field. Bright colours—vermilion red, turmeric yellow, leafy green and deep blue—animate the scene while patterned clothing and decorative borders establish a steady visual rhythm. Rather than relying on perspective, the painting organizes space through repetition and clear placement, allowing each figure to maintain distinct presence within the shared environment. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates everyday experiences into carefully structured compositions. In acrylic on canvas or paper, he documents the gestures, routines and communal interactions that shape daily life. Daily Rituals III becomes a visual record of continuity, where ordinary actions are elevated through colour, pattern and narrative clarity.

$ 229
Rituals and Festivals
Certified

Tribal Art

Rituals and Festivals

The painting unfolds as a vibrant narrative of communal celebration, where figures gather in rhythmic alignment to mark moments of ritual and festivity. Men and women appear in purposeful gestures—carrying offerings, playing instruments, or participating in ceremonial acts—each rendered with confident contour and filled with fine linear detailing. The arrangement spreads across the surface like a visual procession, allowing multiple moments of activity to coexist within a single balanced composition. Colour is vivid and declarative, with bright reds, yellows, greens and blues applied in flat planes that intensify the festive atmosphere. Patterned garments and repeated decorative motifs create a visual rhythm that moves the eye steadily across the scene. There is little concern for depth or perspective; instead, the narrative unfolds through clear placement and the steady cadence of figures arranged across the open ground. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates lived cultural practices into structured visual narratives. In acrylic on canvas or paper, he documents the continuity of ritual and celebration within community life. Rituals and Festivals stands as a lively testament to this shared experience, where colour, pattern and human gesture come together in a unified expression of cultural memory.

$ 229
Daily Rituals II
Certified

Tribal Art

Daily Rituals II

The scene unfolds in measured continuity, presenting the quiet choreography of everyday life. Figures move through familiar gestures—carrying vessels, tending to tasks, standing in attentive exchange—each rendered with assured contour and compact internal detailing. The composition stretches horizontally like a visual narrative, allowing multiple moments to coexist within a single, unified field. Colour is applied in bold, flat planes—earth reds, bright yellows, deep blues and leafy greens—creating clarity and immediacy. Pattern articulates clothing and environment through repeated linear motifs, lending texture without disturbing the compositional balance. There is little emphasis on depth or perspective; instead, the painting relies on spatial rhythm and clear placement to structure the scene. Open ground provides breathing room, ensuring that each figure retains distinct presence within the collective arrangement. Working within a folk and tribal storytelling tradition, Kishor Gayen transforms ordinary actions into enduring visual statements. In acrylic on canvas or paper, he approaches daily life not as incidental subject matter but as a site of continuity and shared identity. Daily Rituals II stands as a testament to this perspective—an artwork where repetition, colour and measured composition elevate routine gesture into cultural memory.

$ 229
Festival Celebrations I

Tribal Art

Festival Celebrations I

The composition unfolds as a vibrant tableau of communal life, where figures gather in rhythmic alignment to mark a moment of shared festivity. Men and women stand in animated gesture, musicians play, and decorative motifs frame the scene with patterned precision. Each body is outlined with confident contour and filled with compact linear detailing that transforms clothing, skin and ground into textured surface. The arrangement is frieze-like, allowing the narrative to stretch across the plane without reliance on perspective. Colour is bold and declarative—vermilion reds, bright yellows, lush greens and deep blues—applied in flat expanses that heighten the celebratory atmosphere. Repetition within garments and borders builds visual rhythm, while open ground ensures clarity and compositional balance. The scene feels immediate and participatory, less a staged spectacle than a lived moment rendered with sincerity and structure. Kishor Gayen works within a folk and tribal painting tradition rooted in storytelling and collective memory. In acrylic on canvas or paper, he translates everyday rituals and seasonal gatherings into compositions that honour both detail and harmony. Festival Celebrations I stands as a vivid expression of community—an artwork where colour, pattern and shared experience converge into a unified visual celebration.

$ 229
84 Shriji Shringar
Certified

Folk Art

84 Shriji Shringar

The artist’s vision for the 84 Darshan painting is to create an expansive visual anthology that honors the endless variety of Lord Shrinathji's divine appearances. The core intention is to demonstrate that no two moments of devotion are identical; each of the 84 depictions is unique, featuring distinct background colors, varied floral arrangements such as the lotuses held in the deity's hands, and intricate, non-repeating designs for the ceremonial garlands (Maalas). By meticulously crafting each individual form with its own specific aesthetic and spiritual character, the artist aims to convey the immense joy and meditative bliss found in the creative process. This painting serves not just as a piece of art, but as a celebratory tribute to the diverse and ever-changing ways in which the Lord is adorned and worshipped throughout the year.

$ 7,839
Taad ka Ped (Borassus Tree)
Certified

Tribal Art

Taad ka Ped (Borassus Tree)

This vibrant composition by Bhil artist Sher Singh Bhavor celebrates the deep relationship between nature, community, and everyday tribal life. At the center stands a majestic tree whose branches extend outward like a living network of stories. Birds, animals, and human figures gather around it, symbolizing the harmony between people and the natural world. These tiny dots form textures that give life to each element while reflecting the ancestral storytelling traditions of the Bhil community. Through color, pattern, and narrative, the artist transforms the canvas into a celebration of tribal life and ecological balance.

Dancing Peacock I
Made to OrderCertified

Tribal Art

Dancing Peacock I

a graceful peacock surrounded by decorative motifs and rhythmic patterns. The bold composition draws attention to the elegant form, while intricate details create a sense of movement across the canvas. Using the traditional Bhil art style, Sher Singh Bhavor fills the entire surface with layered dots and vibrant colors that bring texture and depth to the work. The repetitive patterns are not merely decorative but represent the visual language of Bhil storytelling.

Dancing Peacock II
Made to OrderCertified

Tribal Art

Dancing Peacock II

Bhil artist Sher Singh Bhavor depicts a beautiful peacock resting beneath a flourishing tree. The scene conveys a quiet moment in nature where wildlife and landscape exist in peaceful harmony. Each dot contributes to the narrative flow of the artwork, transforming the animal and surrounding environment into a vibrant tapestry. Sher Singh Bhavor’s work reflects the Bhil community’s deep respect for nature and their enduring storytelling traditions.

Aam ka Ped (Mango Tree)
Made to OrderCertified

Tribal Art

Aam ka Ped (Mango Tree)

In this vibrant composition, Bhil artist Sher Singh Bhavor creates a decorative Mango tree surrounded by birds and stylized forms that appear to float around the branches. The symmetrical arrangement and rhythmic patterns create a harmonious visual balance. Executed in the traditional Bhil art style, the painting features dense dot patterns that give the forms their unique texture and vitality. These dots represent seeds of storytelling within Bhil culture, symbolizing life, growth, and continuity. Through his meticulous technique and vivid palette, Sher Singh Bhavor continues to preserve and celebrate the rich heritage of Bhil tribal art.

Pithora I
Made to OrderCertified

Tribal Art

Pithora I

A vibrant field of rhythmic forms spreads across the surface, where color and repetition come together in a celebratory visual language. Each figure is patiently filled with intricate lines and patterns, creating a lively cadence that flows through the composition. The luminous background enhances the movement within the artwork, allowing the forms to appear as if they are part of a joyful ritual unfolding in time. Rooted in the ritualistic traditions of Pithora art, the painting embodies celebration, community, and spiritual symbolism. The work invites viewers to immerse themselves in its rich details and vibrant energy, revealing the beauty of tribal heritage through color, rhythm, and handcrafted expression.

Tree of Life (Cows)
Certified

Folk Art

Tree of Life (Cows)

This contemporary Phad painting explores the ""Tree of Life"" theme, featuring a majestic Banyan tree as its central element. Beneath the sprawling branches of the tree, the artist has depicted cows, creating a serene and symbolic scene. The artwork is set against a bold red background, a stylistic choice that differs from the original award-winning version. This particular subject holds significant prestige for the artist, as it earned them a UNESCO Award. While the original recognized work was a line drawing, this rendition incorporates a vibrant red palette to bring a new dimension to the celebrated design. The ""Tree of Life"" serves as a bridge between traditional folk motifs and a modern artistic vision.

$ 1,309
Hanuman Chalisa
Certified

Folk Art

Hanuman Chalisa

This rendition of the Hanuman Chalisa represents a stylistic departure from traditional color schemes, as the artist has opted to use a sophisticated gold palette defined by bold black outlining. While the visual approach is modernized, the sacred theme remains intact and comprehensive, incorporating the full textual content of the prayer. The artwork meticulously includes all three dohas and the forty chaupais that constitute the complete hymn, ensuring the spiritual integrity of the subject is preserved. By combining these traditional verses with a refined gold-and-black aesthetic, the piece offers a contemporary yet reverent take on this classic religious theme.

$ 2,089
Ramayan
Certified

Folk Art

Ramayan

This green-themed Ramayan illustration captures the complete epic, starting from the Putrakameshti Yagya and the birth of the four princes. The narrative follows their education with Guru Vashistha, the slaying of Tadka, the redemption of Ahilya, and the Sita Swayamvar, leading into their exile and the abduction of Sita. Key sequences depict the battle with Bali, Hanuman's journey to Lanka, the burning of the city, the building of the Ram Setu, and the retrieval of the Sanjivani herb during the war. The artwork concludes with the defeat of Ravan and the return to Ayodhya, featuring the royal coronation (Pattabhishek) as the central focal point.

$ 2,089
Untitled XIII
Certified

Tribal Art

Untitled XIII

Forms gather across the surface in a measured, interdependent arrangement, each figure articulated through bold contour and intricate interior patterning. Repeated marks—dots, stripes and tightly ordered motifs—fill bodies with a quiet density that transforms decoration into structure. The composition resists hierarchy; instead of a single focal point, the eye moves steadily from one patterned zone to another, guided by rhythm and balance. Flat planes of colour lend clarity and immediacy to the image. Vibrant tones sit confidently beside one another, while the disciplined repetition within each shape anchors the overall harmony. Negative space is deliberate and controlled, offering intervals of visual rest that heighten the impact of the densely worked passages. The surface feels alive with detail, yet never chaotic—its energy derived from careful placement and proportion. Working within a living tribal visual tradition, Yashpal Baranda constructs each composition through repetition and restraint. In acrylic on canvas or paper, he translates inherited pattern vocabularies into contemporary coherence, ensuring that every element participates in the structural unity of the whole. Untitled XIII stands as a refined example of this approach—an artwork where colour, pattern and form operate as a single, sustained rhythm.

$ 159
Untitled XII
Certified

Tribal Art

Untitled XII

The composition unfolds as a carefully balanced field of interlocking forms, each shape defined by confident contour and filled with intricate, rhythmic patterning. Figures and motifs—whether human, animal or vegetal—are rendered with stylised clarity, their interiors animated by repeated marks that create density without heaviness. The eye moves steadily across the surface, guided by repetition and variation rather than narrative sequence. Colour is applied in flat, assertive planes that heighten the decorative force of the image while maintaining structural control. Pattern does not overwhelm form; instead, it reinforces it, giving each body a contained energy that feels deliberate and composed. Open areas of ground create breathing space between concentrated passages of detail, ensuring that the overall composition retains cohesion and visual clarity. Working within a living tribal art tradition, Yashpal Baranda translates inherited visual language into a contemporary framework defined by balance and precision. In acrylic on canvas or paper, he builds each image through disciplined repetition, allowing structure, colour and ornament to function as one unified system. Untitled XII stands as a testament to this synthesis—an artwork where pattern becomes architecture and surface becomes rhythm.

$ 159
Untitled XVIII
Certified

Tribal Art

Untitled XVIII

A network of forms spreads across the surface in deliberate balance, each figure articulated through intricate internal patterning that gives the composition its steady pulse. Curving outlines contain dense fields of repeated marks—dots, stripes, cross-hatching or scale-like motifs—that transform bodies into textured terrains. No single element claims dominance; instead, the image unfolds as a unified field where repetition becomes rhythm and structure emerges from ornament. Colour is applied with confidence and clarity, flat yet luminous, allowing the patterned interiors to carry the visual weight. The absence of conventional depth keeps the viewer close to the surface, attentive to the dialogue between filled form and open ground. Negative space is neither empty nor incidental; it functions as a pause between passages of intensity, sharpening the impact of each meticulously rendered shape. Working within a living tribal visual tradition, Yashpal Baranda builds each composition through disciplined repetition and compositional restraint. In acrylic on canvas or paper, he balances inherited pattern vocabulary with contemporary clarity, ensuring that every mark contributes to the integrity of the whole. Untitled XVIII becomes a study in equilibrium—an image where colour, repetition and form converge into a quietly sustained visual harmony.

$ 159