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Indian tribal art paintings: Authentic Handmade Indian Art

Buy Indian tribal art paintings on Rooftop. Authentic handmade Indian art created by master folk artists. Shop original Indian tribal art online.

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Paintings
Indigenous Art
Tribal Art 657
Paitkar Tribals I

Tribal Art

Paitkar Tribals I

A gathering of figures occupies the surface in calm alignment, each rendered with confident contour and filled with compact, rhythmic linework. The bodies stand upright and direct, their gestures simple yet expressive—hands lifted in conversation, movement or daily action. Patterned garments and repeated motifs animate the forms, transforming flat colour into textured surface. The composition unfolds horizontally, echoing the narrative structure of traditional Paitkar scroll painting. Rather than constructing depth through perspective, the scene is organised through clear placement and balanced spacing, allowing each figure to maintain distinct presence within the shared environment. Bright colours—deep reds, luminous yellows, cool blues and vibrant greens—lend energy to the surface while reinforcing the rhythm created by repeating patterns. Working within the Paitkar storytelling tradition, Kishor Gayen translates the lives and identities of tribal communities into structured visual narratives. In acrylic on canvas or paper, he documents gestures of work, interaction and belonging with clarity and warmth. Paitkar Tribals I becomes both representation and record, capturing the spirit of community life through colour, pattern and steady composition.

$ 199
Daily Rituals IX
Certified

Tribal Art

Daily Rituals IX

The painting unfolds as a sequence of quiet moments drawn from everyday life. Figures move through familiar actions—carrying water, preparing food, tending to animals or pausing in conversation—each rendered with clear contour and compact linear detailing. The gestures are simple but purposeful, forming a visual rhythm that captures the steady pace of daily routine. Arranged across the surface like a narrative procession, the figures share space without hierarchy, each moment contributing to a larger portrait of community life. Bright colours—reds, yellows, greens and blues—are applied in flat, luminous planes that give the scene immediacy and warmth. Patterned clothing and repeating decorative motifs establish a visual cadence that guides the eye across the composition. Working within the Paitkar and tribal storytelling tradition, Kishor Gayen transforms ordinary experiences into structured visual narratives. In acrylic on canvas or paper, he records the gestures and interactions that define everyday existence. Daily Rituals IX stands as a reflection of continuity and community, where daily actions become a collective story told through colour, pattern and measured composition.

$ 229
Daily Rituals III
Certified

Tribal Art

Daily Rituals III

A sequence of everyday actions unfolds across the surface, presenting the quiet rhythm of daily life within a tribal community. Figures appear in measured alignment, engaged in familiar gestures—carrying vessels, preparing food, tending to animals or gathering in conversation. Each body is outlined with confident contour and filled with fine linear detailing that gives texture and vitality to otherwise flat planes of colour. The composition stretches horizontally like a narrative scroll, allowing individual moments to coexist within a single visual field. Bright colours—vermilion red, turmeric yellow, leafy green and deep blue—animate the scene while patterned clothing and decorative borders establish a steady visual rhythm. Rather than relying on perspective, the painting organizes space through repetition and clear placement, allowing each figure to maintain distinct presence within the shared environment. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates everyday experiences into carefully structured compositions. In acrylic on canvas or paper, he documents the gestures, routines and communal interactions that shape daily life. Daily Rituals III becomes a visual record of continuity, where ordinary actions are elevated through colour, pattern and narrative clarity.

$ 229
Rituals and Festivals
Certified

Tribal Art

Rituals and Festivals

The painting unfolds as a vibrant narrative of communal celebration, where figures gather in rhythmic alignment to mark moments of ritual and festivity. Men and women appear in purposeful gestures—carrying offerings, playing instruments, or participating in ceremonial acts—each rendered with confident contour and filled with fine linear detailing. The arrangement spreads across the surface like a visual procession, allowing multiple moments of activity to coexist within a single balanced composition. Colour is vivid and declarative, with bright reds, yellows, greens and blues applied in flat planes that intensify the festive atmosphere. Patterned garments and repeated decorative motifs create a visual rhythm that moves the eye steadily across the scene. There is little concern for depth or perspective; instead, the narrative unfolds through clear placement and the steady cadence of figures arranged across the open ground. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates lived cultural practices into structured visual narratives. In acrylic on canvas or paper, he documents the continuity of ritual and celebration within community life. Rituals and Festivals stands as a lively testament to this shared experience, where colour, pattern and human gesture come together in a unified expression of cultural memory.

$ 229
Daily Rituals II
Certified

Tribal Art

Daily Rituals II

The scene unfolds in measured continuity, presenting the quiet choreography of everyday life. Figures move through familiar gestures—carrying vessels, tending to tasks, standing in attentive exchange—each rendered with assured contour and compact internal detailing. The composition stretches horizontally like a visual narrative, allowing multiple moments to coexist within a single, unified field. Colour is applied in bold, flat planes—earth reds, bright yellows, deep blues and leafy greens—creating clarity and immediacy. Pattern articulates clothing and environment through repeated linear motifs, lending texture without disturbing the compositional balance. There is little emphasis on depth or perspective; instead, the painting relies on spatial rhythm and clear placement to structure the scene. Open ground provides breathing room, ensuring that each figure retains distinct presence within the collective arrangement. Working within a folk and tribal storytelling tradition, Kishor Gayen transforms ordinary actions into enduring visual statements. In acrylic on canvas or paper, he approaches daily life not as incidental subject matter but as a site of continuity and shared identity. Daily Rituals II stands as a testament to this perspective—an artwork where repetition, colour and measured composition elevate routine gesture into cultural memory.

$ 229
Festival Celebrations I

Tribal Art

Festival Celebrations I

The composition unfolds as a vibrant tableau of communal life, where figures gather in rhythmic alignment to mark a moment of shared festivity. Men and women stand in animated gesture, musicians play, and decorative motifs frame the scene with patterned precision. Each body is outlined with confident contour and filled with compact linear detailing that transforms clothing, skin and ground into textured surface. The arrangement is frieze-like, allowing the narrative to stretch across the plane without reliance on perspective. Colour is bold and declarative—vermilion reds, bright yellows, lush greens and deep blues—applied in flat expanses that heighten the celebratory atmosphere. Repetition within garments and borders builds visual rhythm, while open ground ensures clarity and compositional balance. The scene feels immediate and participatory, less a staged spectacle than a lived moment rendered with sincerity and structure. Kishor Gayen works within a folk and tribal painting tradition rooted in storytelling and collective memory. In acrylic on canvas or paper, he translates everyday rituals and seasonal gatherings into compositions that honour both detail and harmony. Festival Celebrations I stands as a vivid expression of community—an artwork where colour, pattern and shared experience converge into a unified visual celebration.

$ 229
Taad ka Ped (Borassus Tree)
Certified

Tribal Art

Taad ka Ped (Borassus Tree)

This vibrant composition by Bhil artist Sher Singh Bhavor celebrates the deep relationship between nature, community, and everyday tribal life. At the center stands a majestic tree whose branches extend outward like a living network of stories. Birds, animals, and human figures gather around it, symbolizing the harmony between people and the natural world. These tiny dots form textures that give life to each element while reflecting the ancestral storytelling traditions of the Bhil community. Through color, pattern, and narrative, the artist transforms the canvas into a celebration of tribal life and ecological balance.

Dancing Peacock I
Made to OrderCertified

Tribal Art

Dancing Peacock I

a graceful peacock surrounded by decorative motifs and rhythmic patterns. The bold composition draws attention to the elegant form, while intricate details create a sense of movement across the canvas. Using the traditional Bhil art style, Sher Singh Bhavor fills the entire surface with layered dots and vibrant colors that bring texture and depth to the work. The repetitive patterns are not merely decorative but represent the visual language of Bhil storytelling.

Dancing Peacock II
Made to OrderCertified

Tribal Art

Dancing Peacock II

Bhil artist Sher Singh Bhavor depicts a beautiful peacock resting beneath a flourishing tree. The scene conveys a quiet moment in nature where wildlife and landscape exist in peaceful harmony. Each dot contributes to the narrative flow of the artwork, transforming the animal and surrounding environment into a vibrant tapestry. Sher Singh Bhavor’s work reflects the Bhil community’s deep respect for nature and their enduring storytelling traditions.

Aam ka Ped (Mango Tree)
Made to OrderCertified

Tribal Art

Aam ka Ped (Mango Tree)

In this vibrant composition, Bhil artist Sher Singh Bhavor creates a decorative Mango tree surrounded by birds and stylized forms that appear to float around the branches. The symmetrical arrangement and rhythmic patterns create a harmonious visual balance. Executed in the traditional Bhil art style, the painting features dense dot patterns that give the forms their unique texture and vitality. These dots represent seeds of storytelling within Bhil culture, symbolizing life, growth, and continuity. Through his meticulous technique and vivid palette, Sher Singh Bhavor continues to preserve and celebrate the rich heritage of Bhil tribal art.

Pithora I
Made to OrderCertified

Tribal Art

Pithora I

A vibrant field of rhythmic forms spreads across the surface, where color and repetition come together in a celebratory visual language. Each figure is patiently filled with intricate lines and patterns, creating a lively cadence that flows through the composition. The luminous background enhances the movement within the artwork, allowing the forms to appear as if they are part of a joyful ritual unfolding in time. Rooted in the ritualistic traditions of Pithora art, the painting embodies celebration, community, and spiritual symbolism. The work invites viewers to immerse themselves in its rich details and vibrant energy, revealing the beauty of tribal heritage through color, rhythm, and handcrafted expression.

Untitled XIII
Certified

Tribal Art

Untitled XIII

Forms gather across the surface in a measured, interdependent arrangement, each figure articulated through bold contour and intricate interior patterning. Repeated marks—dots, stripes and tightly ordered motifs—fill bodies with a quiet density that transforms decoration into structure. The composition resists hierarchy; instead of a single focal point, the eye moves steadily from one patterned zone to another, guided by rhythm and balance. Flat planes of colour lend clarity and immediacy to the image. Vibrant tones sit confidently beside one another, while the disciplined repetition within each shape anchors the overall harmony. Negative space is deliberate and controlled, offering intervals of visual rest that heighten the impact of the densely worked passages. The surface feels alive with detail, yet never chaotic—its energy derived from careful placement and proportion. Working within a living tribal visual tradition, Yashpal Baranda constructs each composition through repetition and restraint. In acrylic on canvas or paper, he translates inherited pattern vocabularies into contemporary coherence, ensuring that every element participates in the structural unity of the whole. Untitled XIII stands as a refined example of this approach—an artwork where colour, pattern and form operate as a single, sustained rhythm.

$ 159
Untitled XII
Certified

Tribal Art

Untitled XII

The composition unfolds as a carefully balanced field of interlocking forms, each shape defined by confident contour and filled with intricate, rhythmic patterning. Figures and motifs—whether human, animal or vegetal—are rendered with stylised clarity, their interiors animated by repeated marks that create density without heaviness. The eye moves steadily across the surface, guided by repetition and variation rather than narrative sequence. Colour is applied in flat, assertive planes that heighten the decorative force of the image while maintaining structural control. Pattern does not overwhelm form; instead, it reinforces it, giving each body a contained energy that feels deliberate and composed. Open areas of ground create breathing space between concentrated passages of detail, ensuring that the overall composition retains cohesion and visual clarity. Working within a living tribal art tradition, Yashpal Baranda translates inherited visual language into a contemporary framework defined by balance and precision. In acrylic on canvas or paper, he builds each image through disciplined repetition, allowing structure, colour and ornament to function as one unified system. Untitled XII stands as a testament to this synthesis—an artwork where pattern becomes architecture and surface becomes rhythm.

$ 159
Untitled XVIII
Certified

Tribal Art

Untitled XVIII

A network of forms spreads across the surface in deliberate balance, each figure articulated through intricate internal patterning that gives the composition its steady pulse. Curving outlines contain dense fields of repeated marks—dots, stripes, cross-hatching or scale-like motifs—that transform bodies into textured terrains. No single element claims dominance; instead, the image unfolds as a unified field where repetition becomes rhythm and structure emerges from ornament. Colour is applied with confidence and clarity, flat yet luminous, allowing the patterned interiors to carry the visual weight. The absence of conventional depth keeps the viewer close to the surface, attentive to the dialogue between filled form and open ground. Negative space is neither empty nor incidental; it functions as a pause between passages of intensity, sharpening the impact of each meticulously rendered shape. Working within a living tribal visual tradition, Yashpal Baranda builds each composition through disciplined repetition and compositional restraint. In acrylic on canvas or paper, he balances inherited pattern vocabulary with contemporary clarity, ensuring that every mark contributes to the integrity of the whole. Untitled XVIII becomes a study in equilibrium—an image where colour, repetition and form converge into a quietly sustained visual harmony.

$ 159
Untitled XXIII
Certified

Tribal Art

Untitled XXIII

Forms unfold across the surface in a quiet, rhythmic arrangement, each element articulated through intricate patterning that gives the composition its internal pulse. Figures, animals or vegetal motifs—rendered in the distinctive Baranda vocabulary—interlock without crowding, held together by repetition and balanced spacing. Lines curve and repeat, filling bodies with dense ornament that reads not as embellishment but as structure, building each shape from within. Colour moves confidently across the plane, flat and luminous, allowing pattern to carry the primary visual weight. There is no fixed horizon, no illusionistic depth; instead, the composition exists as a continuous field where every figure participates equally in the overall harmony. Negative space is deliberate, giving the eye moments of rest between areas of concentrated detail. The surface feels animated yet controlled, its energy derived from careful accumulation rather than spectacle. Yashpal Baranda works within a living tribal tradition in which storytelling, environment and daily life merge seamlessly. In acrylic on canvas or paper, he translates inherited visual language into contemporary clarity, maintaining the integrity of pattern while refining composition and balance. Untitled XXIII stands as a testament to this continuity—an image built through repetition, colour and disciplined mark-making that transforms the everyday into something enduring and ceremonial.

$ 729
Gond Birds X
Certified

Tribal Art

Gond Birds X

Birds inhabit the surface with poised stillness, their bodies elongated and refined through disciplined bands of parallel hatching. Beaks extend in sharp profiles, tails taper into rhythmic points, and wings rest against compact torsos that feel structured from within rather than outlined from without. Each figure stands distinct yet connected, arranged in a composition that values balance over spectacle and rhythm over narrative. The monochrome palette intensifies the clarity of form. Directional shifts in the line articulate feather, chest and wing, creating subtle internal divisions that suggest light and density without departing from the flat authority of the picture plane. The surrounding ground remains open and deliberate, allowing the repeated patterning within each bird to generate its own atmosphere. Texture accumulates through patient repetition, transforming the surface into a field of quiet vibration. Working in acrylic on paper, Suresh Dhurve continues the Gond tradition of Madhya Pradesh, where repetition is both aesthetic principle and philosophical framework. In Gond Birds X, the artist constructs each bird mark by mark, allowing rhythm and density to shape presence. The result is a composition that feels meditative and grounded, translating avian form into a study of structure, coexistence and restrained elegance.

$ 389
Gond Animals XIV
Certified

Tribal Art

Gond Animals XIV

Animals stand poised across the surface, their bodies articulated through closely set, directional hatching that gives each figure both contour and internal resonance. Limbs are elongated with stylised restraint, torsos compact yet steady, and faces defined by sharp profiles and unwavering eyes. There is no overt drama in their stance; instead, the composition derives its strength from equilibrium, each creature occupying its place with measured certainty. The monochrome palette heightens the authority of the line. Subtle shifts in the direction of hatching distinguish flank from shoulder, neck from torso, creating a layered structure that feels almost carved from the page. The open ground surrounding the figures is intentional and unembellished, allowing the repetition of line within each body to become the central visual event. Texture accumulates gradually, building presence through patience rather than embellishment. Working in acrylic on paper, Suresh Dhurve continues the Gond tradition of Madhya Pradesh, where repetition is a method of invoking life rather than merely describing it. In Gond Animals XIV, the artist constructs each form from within, allowing rhythm and density to define character and coexistence. The result is a composition that feels both ancestral and contemporary, grounded in tradition yet unmistakably individual in its command of structure and balance.

$ 389
Gond Animals XIII
Certified

Tribal Art

Gond Animals XIII

Across an open field of paper, animals take form through a disciplined architecture of line. Each body is assembled from tightly controlled hatching, the strokes moving in measured directions that define torso, limb and flank with quiet precision. Heads tilt slightly, ears sharpen, tails extend in gentle arcs, creating a choreography that feels ordered rather than animated. The composition does not rely on narrative; instead, it draws its strength from balance, repetition and the steady accumulation of mark. The monochrome surface intensifies this structural clarity. Without the distraction of colour, the eye follows the shifts in density and direction, reading the animals as built forms rather than outlined shapes. Negative space remains deliberate and unbroken, giving the figures room to assert their presence while maintaining the overall compositional harmony. The repetition of line becomes both texture and pulse, suggesting life through rhythm rather than gesture. Working in acrylic on paper, Suresh Dhurve continues the Gond tradition of Madhya Pradesh, where pattern is inseparable from being. Each stroke participates in a visual grammar that understands living creatures as fields of energy shaped by repetition and flow. In Gond Animals XIII, the artist transforms familiar animal forms into a meditation on structure, coexistence and the quiet authority of shared space.

$ 389
Gond Animals VII
Certified

Tribal Art

Gond Animals VII

A constellation of animals unfolds across the surface, each figure composed through disciplined bands of parallel hatching that give the bodies both contour and internal gravity. Their forms are stylised yet assured: elongated limbs, poised torsos and carefully balanced heads that seem to listen as much as they look. There is no dramatic gesture, no theatrical movement. Instead, the composition rests in a state of contained energy, as though the animals share an unspoken rhythm that binds them together. The monochromatic palette heightens the authority of line. Directional shifts in the hatching articulate muscle and structure, creating subtle dimensionality without departing from the flatness of the picture plane. Negative space is left open and intentional, allowing each figure to breathe while still participating in the collective order of the whole. The repetition of mark becomes meditative, building density through patience rather than ornament. Suresh Dhurve works within the Gond tradition of Madhya Pradesh, where repetition is a method of understanding life as continuous and interconnected. In acrylic on paper, he constructs each animal from within, layering line upon line until presence accumulates. Gond Animals VII transforms familiar creatures into emblems of rhythm, balance and quiet strength, rendered through a visual language that is at once ancestral and distinctly contemporary.

$ 389
Gond Animals IV
Certified

Tribal Art

Gond Animals IV

Animals gather across the surface in measured stillness, each form defined by dense, directional hatching that gives the bodies a sculpted, almost architectural weight. Limbs extend in deliberate arcs, tails curl into rhythmic counterpoints, and steady, unblinking eyes anchor each figure within the field. The composition feels balanced rather than crowded, as though every creature occupies a space already prepared for it. There is no background in the conventional sense; instead, the animals exist within an open plane where line and density create their own atmosphere. Built entirely through monochrome mark-making, the figures carry their structure within them. Parallel strokes shift direction from torso to limb, creating subtle internal zones that suggest muscle, movement and breath without breaking the stylised clarity of the form. The repetition of line is patient and exacting, allowing the surface to accumulate visual depth through disciplined variation rather than colour. Suresh Dhurve works in the Gond tradition of Madhya Pradesh, where pattern is not embellishment but the primary language through which living forms are understood. In acrylic on paper, he constructs each animal mark by mark, allowing density, rhythm and controlled repetition to build presence from within. Gond Animals IV becomes less a depiction of wildlife and more a meditation on structure, balance and the quiet authority of shared existence.

$ 389