Rooftop Logo Light

Menu

Your Cart

Your cart is empty

Indian tribal art paintings: Authentic Handmade Indian Art

Buy Indian tribal art paintings on Rooftop. Authentic handmade Indian art created by master folk artists. Shop original Indian tribal art online.

Showing 361 – 384 of 646

All Products
Paintings
Indigenous Art
Tribal Art 648
Birds Orange
Certified

Tribal Art

Birds Orange

Three orange birds stand gathered in a vertical cluster in this handmade painting by Lado Bai, their warm terracotta bodies covered in delicate white and dark dot patterns that shimmer across the surface like scattered seeds. A large bird anchors the composition at the centre, its curved neck bending protectively over two smaller birds that press close, their postures suggesting tenderness, kinship, the quiet gravity of creatures that belong together. The forms are distinctly Bhil in their treatment: not anatomically precise but emotionally exact, each bird carrying the weight of myth and memory within its simple, powerful silhouette. Painted in acrylic on paper, the work draws from a living tribal art tradition where the natural world is depicted not as scenery but as family. The warm orange palette gives this original artwork a quality of earthen radiance, as though the birds themselves were made from the same soil as the forests and fields of the Bhil homeland. Lado Bai's dot work is applied with rhythmic consistency across every surface, creating a visual texture that is at once decorative and deeply meditative. As a piece of handcrafted Indian art, it carries a warmth and intimacy that printed reproductions cannot replicate, making it a meaningful addition to any wall art collection or home decor setting that values authenticity, tradition and the quiet beauty of the handmade. Why This Artwork Stands Out - Entirely hand-painted by Lado Bai using traditional Bhil techniques, this is a genuine original artwork with no mechanical reproduction involved. - The warm terracotta and orange palette gives the work a distinctive earthen warmth that sets it apart from conventional wall art. - The intimate grouping of the bird forms conveys a sense of familial closeness, adding emotional depth to any living space or home decor arrangement. - As an authentic work of Bhil tribal painting, it holds significant cultural relevance and long-term collectible value.

$ 529
Birds Blue
Certified

Tribal Art

Birds Blue

A cluster of vivid blue birds tumbles across the surface of this handmade painting by Lado Bai, their elongated bodies patterned with rhythmic dots in white, orange, green and deep red. The forms overlap and interlock with the easy confidence of creatures that belong to the same flock, the same world, the same story. One large bird stretches diagonally across the composition while smaller birds branch outward from it, creating a sense of familial proximity, of bodies that move together because they have always moved together. Painted in acrylic on paper, the work draws on the visual grammar of Bhil tribal art, where animals are not observed from a distance but felt from within, their presence inseparable from the rhythms of the natural world. Lado Bai's signature dot work transforms each bird into a living surface of colour and texture, every mark placed by hand with the patience and precision that defines this centuries-old Indian art tradition. The clean white ground allows the intensity of the blue to resonate without interruption, giving the composition a striking graphic clarity that makes it equally powerful as original artwork for a contemporary home or as a collectible piece of traditional art. This handcrafted painting carries the unmistakable energy of Bhil visual storytelling, where the boundary between the decorative and the sacred remains beautifully unresolved. Why This Artwork Stands Out - Every dot and brushstroke is applied entirely by hand by Lado Bai, ensuring this is a one-of-a-kind original with no prints or reproductions. - The intricate Bhil dot-patterning technique transforms simple bird forms into richly textured, rhythmically alive surfaces that reward close viewing. - The bold blue palette against a clean white ground gives the work a striking visual presence suited to both contemporary and traditionally styled interiors. - As an authentic Bhil tribal painting by a practising master artist, this piece holds enduring cultural and collectible value.

$ 529
Paitkar Masterpiece
Certified

Tribal Art

Paitkar Masterpiece

The composition presents a dynamic sequence of figures and elements that reflect the storytelling traditions of Paitkar folk art. Scenes of village life unfold through gestures of movement, work and interaction, with men and women appearing across the surface in rhythmic procession. Bold contours define the figures while compact linear patterns fill their forms, creating a lively visual narrative that captures the spirit of community life. The composition stretches horizontally in the narrative style characteristic of traditional Paitkar painting, allowing multiple moments to coexist within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that bring clarity and vibrancy to the scene. Decorative motifs and patterned garments create a steady cadence that guides the viewer’s eye across the storytelling surface. Working within the living traditions of tribal and Paitkar folk art, Kishor Gayen transforms everyday experiences into structured visual narratives. Using acrylic on canvas or paper, he documents gestures of daily life, ritual and social interaction that define village culture. Paitkar Masterpiece stands as a reflection of artistic heritage, where storytelling, colour and pattern preserve the continuity of tradition.

$ 919
Untitled I
Certified

Tribal Art

Untitled I

A singular, stylised form commands the surface, its silhouette articulated with fluid assurance and filled with intricate Gond patterning. The body unfolds through repeated dots, fine lines and scale-like textures that generate internal movement, as though the figure carries its own contained current of energy. Contours remain clear and deliberate, holding the density of detail within a balanced and unified structure. Colour moves in controlled contrast—deep blues, warm reds, forest greens or muted ochres—defining distinct zones within the figure while preserving overall cohesion. The open ground intensifies the presence of the central form, eliminating distraction and drawing the eye into the layered interior. There is no reliance on conventional depth; instead, repetition and variation create a sense of dimension through surface rhythm alone. Santoshi Shyam, a significant contemporary voice within the Gond tradition of Madhya Pradesh, extends inherited visual language into bold, expressive compositions. Working in acrylic on canvas or paper, she approaches pattern as both identity and invocation, building presence through disciplined accumulation. Untitled I stands as a concentrated expression of this philosophy—an artwork where form, colour and repetition converge into a unified and resonant whole.

$ 1,809
Untitled (2013)
Certified

Tribal Art

Untitled (2013)

A commanding central figure emerges against an open ground, its silhouette defined with clarity and filled with intricate, rhythmic patterning. The body is constructed through repeated dots, fine lines and scale-like motifs that move in deliberate directions, creating internal zones of texture and energy. Each section feels structurally resolved, as though the form has been assembled layer by layer until it achieves visual equilibrium. Colour is handled with confident restraint. Contrasting tones articulate distinct areas within the figure, while disciplined repetition binds them into a cohesive whole. There is no reliance on perspective or atmospheric depth; instead, the work asserts itself through surface intensity and compositional balance. The surrounding negative space sharpens the presence of the central form, allowing its internal complexity to resonate without distraction. As a leading practitioner of contemporary Gond art from Madhya Pradesh, Narmada Prasad Tekam extends traditional visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he approaches pattern as both structure and philosophy—an embodiment of continuity and interconnected life. Untitled (2013) stands as a concentrated expression of this approach, where repetition becomes authority and form becomes presence.

$ 9,049
Untitled II
Certified

Tribal Art

Untitled II

A single, commanding form occupies the surface, its body unfolding through intricate Gond patterning that transforms contour into pulse. Whether animal, bird or composite being, the figure is built from within: scales, dots and rhythmic line clusters fill the silhouette with dense, deliberate movement. The outline remains clear and assured, holding the internal complexity in disciplined balance. There is no extraneous background; the open ground intensifies the presence of the central form. Colour operates with restraint and clarity. Contrasting tones—deep reds, forest greens, indigo blues or warm ochres—define structural zones within the body, while fine linear repetition animates each section. The result is neither flat nor illusionistic; instead, it exists in a charged space where pattern becomes energy and surface becomes structure. The eye moves steadily across the figure, tracing its internal rhythms before returning to its unified whole. Narmada Prasad Tekam, a significant contemporary voice within the Gond tradition of Madhya Pradesh, extends inherited visual grammar into bold, singular compositions. Working in acrylic on canvas or paper, he treats repetition as both discipline and devotion, allowing the accumulation of marks to build presence. Untitled II stands as a refined expression of this approach—an artwork where form, pattern and tradition converge into a concentrated field of visual strength.

$ 10,179
Kamla Pooja
Certified

Tribal Art

Kamla Pooja

At the heart of the composition, a ceremonial gathering unfolds with deliberate clarity. Figures stand in devotional alignment, their forms outlined in confident contour and filled with intricate linear patterning that gives each body a quiet internal vibration. Hands lift in offering, vessels are held with care, and sacred symbols occupy the space with measured authority. The scene is neither crowded nor chaotic; instead, it is structured like a ritual itself—ordered, rhythmic and purposeful. Colour moves across the surface in luminous, flat planes—vermilion, indigo, turmeric yellow and leaf green—intensifying the spiritual charge of the moment. Pattern articulates fabric, skin and ground alike, transforming ornament into structure. There is little illusion of depth; the figures exist in a continuous visual field where devotion and daily life remain inseparable. The white or lightly toned ground sharpens each silhouette, allowing gesture and symbol to carry the narrative weight. Padma Shri Dulari Devi, one of the foremost practitioners of Mithila painting, brings to Kamla Pooja the authority of lived tradition and national recognition. Working in acrylic on canvas or paper, she sustains a visual language rooted in ritual practice and collective memory. This work stands as both artistic achievement and cultural document—an image where ceremony, pattern and community converge in enduring form.

$ 1,809
Double Fish Net
Certified

Tribal Art

Double Fish Net

Two great fish forms arc across the surface in mirrored rhythm, their bodies interlaced with the geometry of a net that binds, divides and unites the composition at once. Scales repeat in tight succession, building texture through patient accumulation, while fins extend outward in measured curves that balance the central tension of the mesh-like structure. The symmetry is deliberate, creating a visual dialogue between containment and movement, capture and flow. The net itself becomes more than motif; it is an architectural grid that orders the surface, contrasting the organic curvature of the fish with a disciplined linear framework. Pattern functions as structure rather than embellishment, articulating muscle, scale and fin through repetition and variation. The open ground surrounding the forms sharpens their silhouettes, allowing the interplay between dense interior detail and negative space to generate visual depth without illusionism. Working in acrylic on canvas or paper, Kishor Mhase draws upon a folk visual vocabulary rooted in community life and the rhythms of labour and environment. In Double Fish Net, the everyday act of fishing is transformed into a study of balance, symmetry and interdependence. The composition holds tension and harmony in equal measure, translating lived experience into a structured and resonant visual form.

$ 1,549
Untitled I
Certified

Tribal Art

Untitled I

A lively constellation of figures occupies the surface, each outlined with assured contour and filled with compact, rhythmic pattern. Human and animal forms stand in direct relation, their bodies articulated through repeated dots, short linear strokes and tightly ordered motifs that lend texture and vitality to flat colour. The composition feels open and narrative, unfolding across the white ground like a frieze where every figure plays a clear and deliberate role. Colour is bold and declarative—earth reds, leaf greens, deep blues and warm yellows—applied in even planes that heighten contrast and immediacy. There is little illusion of depth; instead, the painting asserts itself through clarity of silhouette and density of surface detail. The open ground remains active, sharpening each form and allowing the patterned interiors to resonate with quiet intensity. Working within the Baiga tradition of central India, Ramrati Baiga paints from lived experience, where ritual, landscape and daily life remain inseparable. In acrylic on canvas or paper, she sustains a visual language rooted in memory and community, where repetition functions as both decoration and declaration. Untitled I becomes an expression of this continuity—an artwork defined by bold colour, disciplined pattern and the steady authority of tradition carried forward.

$ 609
Untitled II
Certified

Tribal Art

Untitled II

Figures and motifs unfold across the surface with direct clarity, outlined in bold contour and filled with rhythmic, hand-rendered pattern. Human and animal forms stand in quiet relation to one another, their bodies animated by repeated dots, stripes and compact linear textures that transform flat colour into living surface. The composition feels open and narrative, each element occupying its own defined space while contributing to a shared visual rhythm. Colour is applied in luminous, unmodulated planes—earthy reds, forest greens, deep blues and warm yellows—creating an immediacy that is both celebratory and grounded. There is little concern for illusionistic depth; instead, the painting asserts itself through clarity of silhouette and density of ornament. The surrounding ground remains active and intentional, allowing the patterned interiors to resonate against the open field. Working within the Baiga tradition of central India, Rupa Baiga paints from within a cultural worldview in which ritual, environment and daily life remain interconnected. In acrylic on canvas or paper, she sustains a visual language rooted in memory and observation, where repetition is both decorative and declarative. Untitled II becomes an expression of this continuity—an artwork shaped by bold colour, disciplined pattern and the lived experience of community.

$ 979
Untitled V
Certified

Tribal Art

Untitled V

A field of living forms unfolds across the surface, rendered in bold contour and filled with rhythmic patterning that gives each figure its inner vitality. Human, animal or vegetal motifs emerge with directness and clarity, their bodies defined by repeated dots, stripes or linear textures that transform surface into pulse. The composition feels open and frieze-like, with each element occupying its own clear space while remaining part of a shared narrative field. Colour is applied in confident, flat expanses—earthy reds, deep greens, luminous yellows or cool blues—heightening the immediacy of the imagery. There is little concern for illusionistic depth; instead, the painting asserts its presence through clarity of outline and density of mark. The negative ground is active rather than empty, sharpening the silhouettes and allowing the patterned interiors to vibrate against the open space. Working within the Baiga tradition of central India, Hema Baiga approaches painting as both memory and lived experience. In acrylic on canvas or paper, she carries forward a visual language rooted in community, ritual and environment, where storytelling and ornament are inseparable. Untitled V becomes an expression of this continuity—an artwork shaped by repetition, colour and the intimate knowledge of a world observed from within.

$ 1,439
Untitled - Tribal Lifestyle III
Certified

Tribal Art

Untitled - Tribal Lifestyle III

Figures move through the composition in a steady rhythm, each engaged in gestures that reflect the routines of everyday tribal life. Men and women appear walking together, carrying objects or pausing in quiet conversation, their bodies defined by bold contours and filled with compact linear patterns. The figures remain distinct yet interconnected, creating a visual sequence that mirrors the flow of communal activity. The composition unfolds horizontally in the narrative spirit of traditional Paitkar painting, allowing multiple moments of village life to appear within a single pictorial field. Bright colours—vermilion reds, warm yellows, deep blues and vibrant greens—are applied in flat planes that give the scene clarity and vibrancy. Patterned garments and repeating decorative motifs guide the viewer’s eye across the arrangement of figures. Working within the storytelling traditions of tribal and Paitkar folk art, Kishor Gayen translates everyday experiences into structured pictorial narratives. In acrylic on canvas or paper, he records gestures of movement, work and social interaction that define village life. Untitled - Tribal Lifestyle III becomes a reflection of shared identity and cultural continuity, where ordinary actions are preserved through colour, pattern and balanced composition.

$ 139
Paitkar Tribals I

Tribal Art

Paitkar Tribals I

A gathering of figures occupies the surface in calm alignment, each rendered with confident contour and filled with compact, rhythmic linework. The bodies stand upright and direct, their gestures simple yet expressive—hands lifted in conversation, movement or daily action. Patterned garments and repeated motifs animate the forms, transforming flat colour into textured surface. The composition unfolds horizontally, echoing the narrative structure of traditional Paitkar scroll painting. Rather than constructing depth through perspective, the scene is organised through clear placement and balanced spacing, allowing each figure to maintain distinct presence within the shared environment. Bright colours—deep reds, luminous yellows, cool blues and vibrant greens—lend energy to the surface while reinforcing the rhythm created by repeating patterns. Working within the Paitkar storytelling tradition, Kishor Gayen translates the lives and identities of tribal communities into structured visual narratives. In acrylic on canvas or paper, he documents gestures of work, interaction and belonging with clarity and warmth. Paitkar Tribals I becomes both representation and record, capturing the spirit of community life through colour, pattern and steady composition.

$ 189
Daily Rituals IX
Certified

Tribal Art

Daily Rituals IX

The painting unfolds as a sequence of quiet moments drawn from everyday life. Figures move through familiar actions—carrying water, preparing food, tending to animals or pausing in conversation—each rendered with clear contour and compact linear detailing. The gestures are simple but purposeful, forming a visual rhythm that captures the steady pace of daily routine. Arranged across the surface like a narrative procession, the figures share space without hierarchy, each moment contributing to a larger portrait of community life. Bright colours—reds, yellows, greens and blues—are applied in flat, luminous planes that give the scene immediacy and warmth. Patterned clothing and repeating decorative motifs establish a visual cadence that guides the eye across the composition. Working within the Paitkar and tribal storytelling tradition, Kishor Gayen transforms ordinary experiences into structured visual narratives. In acrylic on canvas or paper, he records the gestures and interactions that define everyday existence. Daily Rituals IX stands as a reflection of continuity and community, where daily actions become a collective story told through colour, pattern and measured composition.

$ 219
Daily Rituals III
Certified

Tribal Art

Daily Rituals III

A sequence of everyday actions unfolds across the surface, presenting the quiet rhythm of daily life within a tribal community. Figures appear in measured alignment, engaged in familiar gestures—carrying vessels, preparing food, tending to animals or gathering in conversation. Each body is outlined with confident contour and filled with fine linear detailing that gives texture and vitality to otherwise flat planes of colour. The composition stretches horizontally like a narrative scroll, allowing individual moments to coexist within a single visual field. Bright colours—vermilion red, turmeric yellow, leafy green and deep blue—animate the scene while patterned clothing and decorative borders establish a steady visual rhythm. Rather than relying on perspective, the painting organizes space through repetition and clear placement, allowing each figure to maintain distinct presence within the shared environment. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates everyday experiences into carefully structured compositions. In acrylic on canvas or paper, he documents the gestures, routines and communal interactions that shape daily life. Daily Rituals III becomes a visual record of continuity, where ordinary actions are elevated through colour, pattern and narrative clarity.

$ 219
Rituals and Festivals
Certified

Tribal Art

Rituals and Festivals

The painting unfolds as a vibrant narrative of communal celebration, where figures gather in rhythmic alignment to mark moments of ritual and festivity. Men and women appear in purposeful gestures—carrying offerings, playing instruments, or participating in ceremonial acts—each rendered with confident contour and filled with fine linear detailing. The arrangement spreads across the surface like a visual procession, allowing multiple moments of activity to coexist within a single balanced composition. Colour is vivid and declarative, with bright reds, yellows, greens and blues applied in flat planes that intensify the festive atmosphere. Patterned garments and repeated decorative motifs create a visual rhythm that moves the eye steadily across the scene. There is little concern for depth or perspective; instead, the narrative unfolds through clear placement and the steady cadence of figures arranged across the open ground. Working within the storytelling tradition of Paitkar and tribal folk painting, Kishor Gayen translates lived cultural practices into structured visual narratives. In acrylic on canvas or paper, he documents the continuity of ritual and celebration within community life. Rituals and Festivals stands as a lively testament to this shared experience, where colour, pattern and human gesture come together in a unified expression of cultural memory.

$ 219
Daily Rituals II
Certified

Tribal Art

Daily Rituals II

The scene unfolds in measured continuity, presenting the quiet choreography of everyday life. Figures move through familiar gestures—carrying vessels, tending to tasks, standing in attentive exchange—each rendered with assured contour and compact internal detailing. The composition stretches horizontally like a visual narrative, allowing multiple moments to coexist within a single, unified field. Colour is applied in bold, flat planes—earth reds, bright yellows, deep blues and leafy greens—creating clarity and immediacy. Pattern articulates clothing and environment through repeated linear motifs, lending texture without disturbing the compositional balance. There is little emphasis on depth or perspective; instead, the painting relies on spatial rhythm and clear placement to structure the scene. Open ground provides breathing room, ensuring that each figure retains distinct presence within the collective arrangement. Working within a folk and tribal storytelling tradition, Kishor Gayen transforms ordinary actions into enduring visual statements. In acrylic on canvas or paper, he approaches daily life not as incidental subject matter but as a site of continuity and shared identity. Daily Rituals II stands as a testament to this perspective—an artwork where repetition, colour and measured composition elevate routine gesture into cultural memory.

$ 219
Festival Celebrations I

Tribal Art

Festival Celebrations I

The composition unfolds as a vibrant tableau of communal life, where figures gather in rhythmic alignment to mark a moment of shared festivity. Men and women stand in animated gesture, musicians play, and decorative motifs frame the scene with patterned precision. Each body is outlined with confident contour and filled with compact linear detailing that transforms clothing, skin and ground into textured surface. The arrangement is frieze-like, allowing the narrative to stretch across the plane without reliance on perspective. Colour is bold and declarative—vermilion reds, bright yellows, lush greens and deep blues—applied in flat expanses that heighten the celebratory atmosphere. Repetition within garments and borders builds visual rhythm, while open ground ensures clarity and compositional balance. The scene feels immediate and participatory, less a staged spectacle than a lived moment rendered with sincerity and structure. Kishor Gayen works within a folk and tribal painting tradition rooted in storytelling and collective memory. In acrylic on canvas or paper, he translates everyday rituals and seasonal gatherings into compositions that honour both detail and harmony. Festival Celebrations I stands as a vivid expression of community—an artwork where colour, pattern and shared experience converge into a unified visual celebration.

$ 219
Taad ka Ped (Borassus Tree)
Certified

Tribal Art

Taad ka Ped (Borassus Tree)

This vibrant composition by Bhil artist Sher Singh Bhavor celebrates the deep relationship between nature, community, and everyday tribal life. At the center stands a majestic tree whose branches extend outward like a living network of stories. Birds, animals, and human figures gather around it, symbolizing the harmony between people and the natural world. These tiny dots form textures that give life to each element while reflecting the ancestral storytelling traditions of the Bhil community. Through color, pattern, and narrative, the artist transforms the canvas into a celebration of tribal life and ecological balance.

Dancing Peacock I
Made to OrderCertified

Tribal Art

Dancing Peacock I

a graceful peacock surrounded by decorative motifs and rhythmic patterns. The bold composition draws attention to the elegant form, while intricate details create a sense of movement across the canvas. Using the traditional Bhil art style, Sher Singh Bhavor fills the entire surface with layered dots and vibrant colors that bring texture and depth to the work. The repetitive patterns are not merely decorative but represent the visual language of Bhil storytelling.

Dancing Peacock II
Made to OrderCertified

Tribal Art

Dancing Peacock II

Bhil artist Sher Singh Bhavor depicts a beautiful peacock resting beneath a flourishing tree. The scene conveys a quiet moment in nature where wildlife and landscape exist in peaceful harmony. Each dot contributes to the narrative flow of the artwork, transforming the animal and surrounding environment into a vibrant tapestry. Sher Singh Bhavor’s work reflects the Bhil community’s deep respect for nature and their enduring storytelling traditions.

Aam ka Ped (Mango Tree)
Made to OrderCertified

Tribal Art

Aam ka Ped (Mango Tree)

In this vibrant composition, Bhil artist Sher Singh Bhavor creates a decorative Mango tree surrounded by birds and stylized forms that appear to float around the branches. The symmetrical arrangement and rhythmic patterns create a harmonious visual balance. Executed in the traditional Bhil art style, the painting features dense dot patterns that give the forms their unique texture and vitality. These dots represent seeds of storytelling within Bhil culture, symbolizing life, growth, and continuity. Through his meticulous technique and vivid palette, Sher Singh Bhavor continues to preserve and celebrate the rich heritage of Bhil tribal art.

Pithora I
Made to OrderCertified

Tribal Art

Pithora I

A vibrant field of rhythmic forms spreads across the surface, where color and repetition come together in a celebratory visual language. Each figure is patiently filled with intricate lines and patterns, creating a lively cadence that flows through the composition. The luminous background enhances the movement within the artwork, allowing the forms to appear as if they are part of a joyful ritual unfolding in time. Rooted in the ritualistic traditions of Pithora art, the painting embodies celebration, community, and spiritual symbolism. The work invites viewers to immerse themselves in its rich details and vibrant energy, revealing the beauty of tribal heritage through color, rhythm, and handcrafted expression.

Untitled XIII
Certified

Tribal Art

Untitled XIII

Forms gather across the surface in a measured, interdependent arrangement, each figure articulated through bold contour and intricate interior patterning. Repeated marks—dots, stripes and tightly ordered motifs—fill bodies with a quiet density that transforms decoration into structure. The composition resists hierarchy; instead of a single focal point, the eye moves steadily from one patterned zone to another, guided by rhythm and balance. Flat planes of colour lend clarity and immediacy to the image. Vibrant tones sit confidently beside one another, while the disciplined repetition within each shape anchors the overall harmony. Negative space is deliberate and controlled, offering intervals of visual rest that heighten the impact of the densely worked passages. The surface feels alive with detail, yet never chaotic—its energy derived from careful placement and proportion. Working within a living tribal visual tradition, Yashpal Baranda constructs each composition through repetition and restraint. In acrylic on canvas or paper, he translates inherited pattern vocabularies into contemporary coherence, ensuring that every element participates in the structural unity of the whole. Untitled XIII stands as a refined example of this approach—an artwork where colour, pattern and form operate as a single, sustained rhythm.

$ 149